I am excited to bring you a Q&A this week with Elizabeth Forbes, the author of Who Are You?. After I read the book I just had to know how she ended up writing it, so I did just that! If you want to know more about the book, you can read my review here, and you can check out the Goodreads page for it here.
Here is the Q&A:
Where did you get the ideas for the
characters from, and were they based on real people?
I
have a son in the Army and as a result I have always been drawn to soldiers’
experiences in order to try and understand the sorts of pressures he is under
or indeed might come under. After his first tour in Iraq I sensed a change in
him; I waved goodbye to a boy and welcomed home a young man – a cliché, I know,
but it was true. The sense of duty and commitment in our Armed Forces is really
inspiring, but we have to accept that what we expect our young men and women to
do in our name is sometimes at the breaking point of, or beyond, human
endurance. I heard Jake Wood the author of Among You: the Extraordinary True
Story of a Soldier Broken by War, being interviewed on the radio and decided to
read his book. Jake has suffered from severe PTSD and thankfully is on the way
to recovery, although he may never return to the man he was before. I started to research the effects that
serving on the front line could have on some men; and it became apparent that
those most susceptible to PTSD had suffered some kind of childhood trauma.
Although it is important for me to stress that Jake had no such childhood
trauma, nor is he anything like Alex. All the people in the book are completely
fictional, but they are based upon the ‘what if….’ premise, that is to say how
people might react to certain situations, given their own uniquely individual
personal set of circumstances.
What was more difficult, writing the
first sentence or writing the last?
Writing
the last sentence is the hardest, definitely. The first sentence came straight
away, and didn’t change in any of the redrafting. But the ending was tough
because it was difficult to know where the book should end and whether it
should be unrelentingly sad, or with a glimmer of hope. Maybe a little bit of
both is a good thing.
How long did it take you to write Who
Are You?
I
started writing Who Are You? at this
time last year, straight after Nearest Thing to Crazy was published. I was
lucky to have Paul Swallow at Cutting Edge Press willing to read the novel in
progress, and so I had a firm idea of whether he was happy with the way the
story was going; and we could discuss the developments along the way. I have no
doubt that this helped me in not having to do much in the way of redrafting. He
also encouraged me to let the dark side flourish when I was reluctant to face
up to some of the violence. But I think to give Alex a genuine and credible
voice it was necessary to explore as far as possible a mind in complete
turmoil, and that was never going to make for an easy ‘write’ or indeed an easy
read.
When did you start showing an interest
in writing?
In
my late twenties and early thirties I wrote four novels, under the genre of
romantic thrillers. Then I took a very long break and eventually decided to
study for a literature degree which I completed four years ago. I was able to
include some creative writing modules in my studies, and I know they helped
hugely in finding the voice I have chosen to develop.
What authors have inspired you
throughout your writing journey?
Thematically
I’m fascinated by stories inspired by the idea of the mad woman in the attic,
such as Charlotte Perkins Gilman’s Yellow Wallpaper, Jane Eyre, Rebecca – even
Jane Austen’s Northanger Abbey – novels which explore the domestic gothic; the
really terrifying things that can happen to women inside the home and within
their domestic relationships. You don’t have to
be threatened by a knife wielding rapist in order to experience real
terror. Sometimes the people who love you can be the people who completely
destroy you. In terms of writing style I like authors who can strip their
sentences right down, chuck out the adverbs and the adjectives, less is more. J
M Coetzee’s prose is just brilliant in its use of language, every word is there
for a reason, there’s nothing superfluous. I really admire Maggie O’Farrell and
Louise Doughty. And for lyrical writing I was smitten by Andrew Miller’s Pure.
Dan Powell’s Looking Out of Broken Windows collection is so brilliant and
original and I think he’s currently working on his first novel and he’s really
one to watch out for. And Caroline Smailes is a genius.
Lastly, do you have any advice for
aspiring writers?
That’s
tricky. It may sound daft, but the most obvious thing is to write. There’s
nothing more encouraging than a growing word count. And try and convince
yourself that no one will ever read it – at least with the first draft. If you
can get rid of any self-conscious feelings that you are writing to be judged,
then I honestly believe that your writing will be more honest and straight from
the heart. And secondly to read as much as you possibly can – not just in your
chosen or favourite genre; but dip into the classics, poetry, and be
sponge-like to everything around you.
I'd like to say thank you again to Elizabeth for doing this for the blog!
If you want to purchase Who Are You? you can do that here.
I hope you enjoyed this post.
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Amy :-)
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